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Bipedalism, or 'two-footed walking', is the story of a painter who grew up in an orphanage and only years later learns the circumstances of his father's disappearance and death. Childhood memories bring the main character back to the past: he buys a house in the suburbs that used to belong to his family. In the basement, he finds his father's archives and scientific research documents on the hybridization of human race with related biological species. Studying the archive material, he unexpectedly finds evidence of efforts to renew the experiments on the remaining hybrid population. The painter then becomes a researcher, and consequently a victim. The basic idea of his father's research was to change, control and influence the process of human evolution - initially connected with eugenics theories of the period before World War II, and now being placed in a context of modern 'biotechnological' expectations by his former colleagues. The main character tries to recreate and realize his father's heritage, who was forced to cooperate with state terror organizations, using the results of his secret research. In a tragic manner, this information turns into the main character's reality, at first forcing him to reappraise his father's values and later driving him to madness. (http://www.input2002.com/en/film/24418.html)。2位救生员因一张地中海男孩溺水的照片，自告奋勇去希腊赖斯伯斯岛寻人，亲眼目睹的现实比照片更令人心碎：每天都有成千上万人冒着生命危险，试图乘坐最危险的船只渡海，以逃避国内武装冲突与种种困难。他们陷进了一场惊涛骇浪⋯⋯。他们是诗国闪耀的群星，他们又是大时代里的一个个普通人，他们同样也要面对油盐酱醋，吃喝拉撒，他们也有自己的爱情、婚姻、快乐、痛苦……纪录片《文豪的日常》邀请著名历史文化学者于赓哲，从不一样的视角，向我们解读那些诗人的另一面。。